For centuries, liturgical, large-scale windows metaphorically shielded the sacred from the profane, embued light with spiritual presence, and literally illuminated divine messages. During war reparations, Germany’s shattered postwar outlook challenged a new generation of artists with the daunting task of establishing new religious symbols to speak authentically into a deeply crushed, cynical national conscience. Subsequently, while Germany’s parishes dwindled, glass artists readjusted to a new clientele: dutiful streams of international tourists whose entry fees...
A Terrible Beauty: True and False Visions of the Good in Descent into Hell and Till We Have Faces
In a memorable passage from Dostoevsky’s The Brothers Karamazov, beauty is described as being an “awful thing...mysterious as well as terrible” (97). This strikingly paradoxical view of the beautiful, especially as it relates to the numinous, resonates in the writings of the Inklings. Charles Williams, for instance, points out that while caritas is often likened to “our immediate emotional indulgence,” it should be properly understood in the sense of the “otherness and terror of...
Externality in Lewis, Chesterton, and Tolkien
his paper is about three writers and one idea which they held in common—an idea with which they were all positively enchanted. The three are C. S. Lewis, G. K. Chesterton, and J. R. R. Tolkien. The one idea is a certain fairly general (but far from trivial) thesis about meaning or fulfillment in life—that is, in the life of created rational beings. I will state the idea and then comment briefly on some...
Inspired by the life and legacy of C.S. Lewis, the C.S. Lewis Foundation is dedicated to advancing the renewal of Christian scholarship and artistic expression throughout the mainstream of our colleges and universities, and by extension, the culture at large.
In this spirit, the Foundation offers this online, peer-reviewed journal to stimulate discussion concerning the relationship of Christianity to the academy and the arts.
