Concepts of musical beauty change over time. The origins of harmony—influenced by the Pythagorean mathematical ideal of whole-number ratios—adored perfect intervals in parallel motion. By the time of the Renaissance, imperfect consonances were the aesthetic model. They displaced consecutive perfect intervals with such thoroughness that even today, beginning students of music theory are prohibited from writing parallel perfect fifths and octaves as they learn to master the principles of common-practice music. To be sure, aesthetic...
Inspired by the life and legacy of C.S. Lewis, the C.S. Lewis Foundation is dedicated to advancing the renewal of Christian scholarship and artistic expression throughout the mainstream of our colleges and universities, and by extension, the culture at large.
In this spirit, the Foundation offers this online, peer-reviewed journal to stimulate discussion concerning the relationship of Christianity to the academy and the arts.