The oft-made claim that The Chronicles of Narnia is an allegory, though partially true, does not quite do justice to the power of the work, or the beautiful, grace-filled, and luminous world Lewis creates. In a work of allegory, as Lewis explains it in The Allegory of Love, characters are visibilia (“visible things”) invented to express or represent certain “immaterial facts” about the world of our experience, such as our passions or states of mind, as we see in Lewis’ own example:
If you are hesitating between an angry retort and a soft answer, you can express your state of mind by inventing a person called Ira with a torch and letting her contend against another invented person called Patientia. This is allegory.
But this, of course, is what we tend not to find in Narnia. Reepicheep, the Beavers, Ramandu, Jewel are not visibilia standing in for certain invisibilia of our world-representing things like Courage, Constancy, or Wisdom-though they may possess such qualities. The creatures of Narnia have a certain (admittedly fictional) integrity of their own that works against reading them as mere stand-ins or simulacra for aspects of our world, even if Lewis has certain didactic aims in their creation.
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It is a serious thing to live in a society of possible gods and goddesses.
—from “The Weight of Glory”
When he was president of the Oxford Socratic Club during the 1940s and 50s, C.S. Lewis featured weekly discussions on “repellent doctrines.” By these, he meant traditional Christian teachings that seemed puzzling or implausible—teachings on suffering, miracles, hierarchy, and the like. Lewis thought these doctrines conveyed truths that modern people most needed to know but were least likely to recognize: “We must never avert our eyes from those elements in [our religion] which seem puzzling or repellent; for it will be precisely the puzzling or the repellent which conceals what we do not yet know and need to know.”1 For many Christians today, deification would be such a doctrine. Deification (also known as theosis or divinization) sees salvation not merely as divine pardon but rather as a process of spiritual transformation that culminates in mystical union with God. As Lewis understood it, human beings could one day enter into the very beauty and energy of God and become “true and everlasting and really divine persons.”2 In his book Mere Christianity, which can be seen as a manifesto on the subject, Lewis argues that the whole purpose of Christianity is to turn people into what he variously calls “new men,” “little Christs,” “Sons of God”—and “gods and goddesses.”
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